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Purpose After Tragedy

“Mi smo more krvi prolili za bratstvo i jedinstvo naših naroda. I nećemo nikome dozvoliti da na dira i da ruje iznutra, da se ruši to bratstvo i jedinstvo.”

“We have spilled an ocean of blood for brotherhood and unity of our peoples and we shall not allow anyone to touch or destroy it from within.”


Thesis Proposal:

Radio Television of Serbia

Location: 10 Takovska Ulica, Belgrade, Serbia

Project: Adaptive Re-Use of NATO Bombed Communications Headquarters

Psychological trauma arises through the experience of conflict, such as war, fire, and terrorism. People exposed carry fragments with them throughout their lifetime. Buildings hold a great significance in the fabric of the cities they inhabit, and can also become vessels for trauma. They carry the gift of keeping memories alive even as they succumb to ruins. One such building is the RTS- Radio Television of Serbia, located in the center of Belgrade, Serbia. During the Kosovo War of the late 1990’s, NATO saw this media center as a target because of its communication ties to the Yugoslav Armed Forces as well as its unethical campaign of propaganda against the population of Kosovo. The building today stands just as it was after the bombing 18 years ago, a scar on the urban fabric of the city and a harrowing reminder of the lives lost. Spaces affected by traumatic events be-come memorable through the context that defines them and through the process of memorialization. The memorialization process concerning a site of trauma must engage and interact with the affected community through program and function in order to address difficult history and allow victims to find solace. These spaces may hold connections to a negative memory with or without the presence of a concrete marker. Participatory architectural memorials engage and stimulate visitors, providing a platform for discussion that facilitates a cultural exchange while helping build a cohesive narrative.




Marshal Tito waves goodbye to brotherhood and unity as the federation crumples.

Poster by: Asim Delilovic 96’

Bosnia, riddled with bullets.

Poster by: Asim Delilovic 92”

“EVIL DOESN’T LIVE HERE” Opposition of nationalism in Tuzla.

Poster by: Edin Dervisevic 92’

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Original Condition - 1960

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Exhibition Program Diagram

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Perforation Pattern - Original facade breached through panels

 

Second Floor, First Floor, Ground Floor & Basement Floor, respectively.